James Hewitt/musician,performer and myself Marianthi Michailidou/dance artist give another session on 23 March based on the topic: Challenge and support.
In this session we”re going to investigate challenge. Detailed description will follow soon.
It is open to musicians, dancers, actors, vocalists, painters, performers, singers and whoever is curious to explore Interdisciplinary Instant Composition practice.
23 March from 13.00-17.00 , Studio Vredenburg
For non members contribution/donation: 5E
Don’t miss this unique opportunity to share, exchange, work and enjoy interdisciplinary instant composition practices.
SUPPORT AND CHALLENGE
In two sessions, we, James Hewitt -musician and Maria Michailidou- dance artist are going to examine questions on support and challenge.
How do we identify and experience support and challenge in an Interdisciplinary Instant Composition context? What are their applications and implications?
What are their specific features? What do they share? When does support become challenge and challenge support?
In which ways do they determine the relationship between fellow practitioners and the evolution of the improvised work?
More specifically: How do we get and give support? We are getting support from the outside environment, as we see, hear, perceive, become aware, notice, respond to stimuli, relate. We’re getting support from the inner environment as well, as our focus is on physical sensations, thoughts, images, memories.
How do we challenge ourselves and own patterns, the materials of the work, individual choices, relationships, stories, the course of the improvised piece?
Bring your curiosity and more questions with you and come to share and explore together..
We are looking forward to!
WHEN: 2ND AND 23rd MARCH FROM 13.00 TO 17.00
The last three Carpet Sessions were organised by Maria, Zwaan and Esmeralda. With the idea to share our different disciplines: dance, voice and acting.
Last week session the focus was on voice by Zwaan. This time the focus will be on body work and text by Maria and Esmeralda. Esmeralda will share her experience as an actress by using the context abstract or concrete. By being direct and using realistic meaning or placing words in space and being poetic.
How we can influence each other disciplines by using words. Playing with text and add to voice/ music and movement.
We hope to see you this Thursday at Dansstudio, Vredenburgersteeg 31 Amsterdam. Time: 13.00 – 17.00 For no member 5 euro fee for renting studio.
See you soon, Esmeralda and Maria.
Hey all improvisers, instant composers, dancers, musicians, actors, philosophers, pudding makers far and wide !
From the 9th to the 13th of March 2017, we are proposing IIIF – a beta festival 0.1 that looks at the artistic practice of interdisciplinary improvisation. This festival will feel like performers mingling and playing together, it will feel like serious scientific researchers trying to grasp and record what they are doing and it will feel like a lot of nice people gathering to cook and eat together. Would you like to participate ?
IIIF 0.1 – International Interdisciplinary Improvisation Festival Amsterdam, Holland
9 to 13 March 2017
An invitation by : Benedikte Esperi (SW) Thomas Johannsen (NL) Catharine Cary (US/FR)
One of the crucial elements of advancing an art form is artistic research. Research and documentation, and the process of doing it, allow the form to open, consider, grow and take pauses to understand. All three of us, and many others around the world that practice instant composition within one discipline or across many, are interested in growing the knowledge and practice of our art, and increasing its public.
IIIF 0.1 will be held in Amsterdam, the next ones probably in Gothenburg and Avignon, followed by other European cities where connected improvisation artists live and work.
This first meeting is meant to better define our and your ambition for a connected international community of improvisers that collects and makes useful the various approaches to improvisation. The intention of this work would be to further connect, inspire and develop pathways between the various communities in Europe and around the world.
One of the great things about today is that there are more and more festivals, workshops, meetings, practice sessions, and movement around interdisciplinary improvisation. Yes ! This is just one more, until the cup runneth over, and suddenly our art form is everywhere, contaminating everything, and making a lot of people inside and outside of it really happy.
We are proposing 4 “research circle” sessions to people who have expressed to us a specific interest in the process of documenting artistic research in interdisciplinary improvisation, and we are proposing 3 “open circle” interdisciplinary improvisation practice sessions.
The initiative is started by Benedikte, Catharine and Thomas, but we are very open to include more people into the core group of enablers of IIIF. Come participate if you can, and even if you cannot, let us know if you would be interested, and on what potential level of engagement. (e.g. being associated as an artist in the research, proposing content and being present during all the festival sessions, carrying the project artistically/organisationally with us, supporting IIIF 0.1 by providing sleeping place for someone from abroad, just hopping on and off…)
More extensive information, and also how to get in contact with us you can find in this pdf: iiif festival invitation
Thursday 9 March:
The first open session to start the festival is at the usual Carpet Session studio:
Vredenburgersteeg 31-35, Amsterdam.
Friday 10 to Monday 13 March:
All other days/sessions (except the brunch) are at:
Studio De Eester, C. Van Eesterenlaan 266, Amsterdam.
9 to 13 March 2017
OPEN CIRCLE SESSIONS
are from 14:00 to 17:00
on Thursday 9, Saturday 11 and Monday 13
– doors open at 13H30
RESEARCH CIRCLE SESSIONS include all open sessions, and are in total all four days 10:00-17:00 (only Thursday, we start at 14:00) . More detailed info in the pdf.
HOW? — DOCUMENTATION
That’s the idea of this IIIF – how to document? – it will be however we imagine and test it out – drawings, entries in the website, texts, songs, videos, scholarly treatises …
For this IIIF beta, Benedikte will be in charge of video documentation that could result in definitions, small instructive moments, or explanations of a technique which sharpens our ability to be present, to notice and to compose in the instant. The target is moving and the work is evolutionary, we may invent new forms of art and of research during these 4 days. If you come, you need to be OK with your image being used. If you like to take video and like to edit, click here. (Benedikte) email@example.com
Otherwise, bring an open mind, a big glass of water, a camera if you can shoot video and like to, an instrument. And a notebook. Wear comfortable clothes.
PARTICIPATION IN THE COSTS
sliding scale of 5 to 10 euros per session.
And here’s who we are :
Benedikte Esperi (SW)
Holds an MFA in Contemporary Performative Arts with practice in dance for screen, physical performance in public space and sound art. She has run the company Dansverk since 2007 which produces solo and ensemble performances. Since 2011, She is also a part time lecturer in dance at The Academy of Music and Drama in Gothenburg.
Thomas Johannsen (NL)
Performer and performance maker who works on the borders between fine art, theatre, dance and music. Improvisation and open systems of meaning creation form a strong current in all his work. ( http://www.thojoh.com) He is founder and artistic director of the Genetic Choir ( http://www.genetic-choir.org ) and created the international platform for Interdisciplinary Instant Composition, with its Amsterdam emanation of the Carpet Sessions. http://www.instantcomposition.com
Catharine Cary (US/FR)
A visual performative artist known as ‘‘la tagueuse élégante”, Catharine Cary is a painter, a dancer and female. She is co-founder of Instant Pudding!, a platform that provokes opportunities for sharpening skills for scenic improvisation across Europe. http://www.catharine-cary.com
due to changed schedules from our colleagues from abroad, we had to move the dates a bit back for what will become the first beta version of
It is still a bit improvised — 😉 especially time is running away to inform all of you in time properly. But we are doing our best!
In any case, this meeting/festival will start with a Carpet Session on Thursday, 9th of March and will continue throughout the weekend. With two more open sessions on Saturday afternoon (11th) and Monday afternoon (13th). These are the sessions that are open for anyone to join us in playing/researching and bringing our knowledge together.
A smaller group of improvisation professionals who can commit to all 4 days will work from 9th-13th of March to deepen the work and look ahead to future ambitions of this festival.
Please mark it in your agenda and bare with us a few more days until we have the whole invitation gathered in terms of text and info.
Catherine (Instant Pudding, Paris)
Benedikte (Faculty of Fine and Applied Art in Gothenburg, Sweden)
Carpet Session with Zwaan, Maria and Esmeralda.
From 13.00 – 17.00 dansstudio Vredenburgersteeg 31 Amsterdam
We are going to work with a mix of dancers, musicians and actors.
So please join us form all these different disciplines.
Esmeralda, Zwaan and Maria
Put in your agenda: Thursday 9,16 and 23 February.
Connecting the Dots:
Zwaan, Maria and Esmeralda worked together to explore their disciplines and share them to make an Impro Piece of 45 min.
We performed in Berlin and will perform in June again. Using our disciplines and connecting them, reading and learning form each other work style. That will be the main theme of our sessions.
More information will be posted.
Esmeralda, Zwaan and Maria
Dear all improvisers,
I have been in a long term conversation with improvisers from other European cities about how we can connect the different communities working on interdisciplinary improvisation practices in Europe and beyond. Now for the first time, we will come together, in an informal ‘festival 0.1’ of four days, playing and researching together for what should become annual meetings in different European cities.
9-13 March 2017 – mainly during the day, 10:00-17:00
The program is not yet decided for these four days, and you are welcome to get involved. Especially musicians with a vision on interdisciplinary work are still a bit under-represented in the core group that is thinking about this.
More info will follow soon, but save the dates if you like to be part of it!
due to all professionals of the Carpet Sessions being rather occupied with other work and projects at the moment, the regular sessions on Thursday are in hibernation mode.
However, we will meet tomorrow, Sunday November 13th, from 13:00 on Natanja’s boat around a table full of food to talk and eat together and hear how everyone is doing.
All improvisers, whether old or new to the Carpet Sessions initiative are very welcome to join this table. Just bring something that you really love eating which can be put in the middle for everyone to share. Natanja will make soup! 🙂
Sunday, 13 November 2016, 13:00-…
Place: boat “LOFRA”, Levantkade 176, Amsterdam.
On the ship, the door is an aluminium horizontal door on the front deck. No need to wander towards the back in the gangway. Just lift it and come in. There is no bell… Tel. Natanja if you are lost: 06 38062307
See you tomorrow!
For the end-of-season gathering of the Carpet Sessions coming Thursday, what are your wishes to spend the afternoon?
My own proposal would be to toy around with ideas and work forms how improvisers (from different disciplines) could build a dictionary of their work, together.
Backed by the foundation behind the Carpet Sessions, and in collaboration with Instant Pudding in Paris and ImproXchange in Berlin, I am preparing a project in exactly that gist, and this could be a way to give direction to the Carpet Sessions organised by different people in the coming year, if we would feel like it.
Making such a Wikipedia of improvisation (like a dictionary of everything relating to improvisation) is actually taking the open improvisation knowledge base that we started here on this website to a professional level and making it editable and adjustable for a much bigger community.
It is also provoking several questions, amongst which
– how can you define at all things about improvisation (that by nature likes to be undefined)
– in which way the words/media in such a dictionary can relate as closely as possible to the actual work being done on the floor (rather than the dictionary becoming a purely academic exercise)
Let’s speak/play/dance/sing about it further on Thursday. Looking forward to it… 13:00-17:00
See you there!